![]() He tells Salyer that he received the money from a fellow who owed it to him. Toward the end of the film, Hendricks shares with Salyer a small amount of cash he had obtained. But he does not spend the night and returns to drinking. ![]() Salyer, without money or possessions, seeks day labor on a truck, and seeks shelter at the Bowery Mission. Among them is Hendricks, who steals his suitcase while Salyer is unconscious after heavy drinking. Salyer wanders into a bar and is befriended by drunks he meets there. Its principal characters are Ray Salyer, a railroad worker who has just arrived on the Bowery after railroad work, and two older men: Gorman Hendricks, a longtime Bowery resident, and Frank Matthews, who collects rags and cardboard on a pushcart and dreams of escaping to the South Seas. The film chronicles life on New York's skid row, which then was the Bowery, focusing on three days in the life of a small group of its residents. In 2008, On the Bowery was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Thus, On the Bowery served as Rogosin's practice film for the subsequent filming of his anti-apartheid film Come Back, Africa (1960). As he needed experience, he looked around for a subject and was struck by the plight of the men on the Bowery, and he determined that a portrayal of their daily lives on the streets and in the bars of the New York City neighborhood would make a strong film. In 1954, he left the family business, the Beaunit Mills-American Rayon Corporation, in order to make films in accordance with his ideals. Īfter the Second World War, Lionel Rogosin made a vow to fight fascism and racism wherever he found it. The film, Rogosin's first feature was nominated for an Academy Award for Best Documentary Feature Film. On the Bowery is a 1956 American docufiction film directed by Lionel Rogosin.
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